So to commemorate its 25th Anniversary, I'm pleased to announce the "Manic + Organic 25th Anniversary Vinyl & Deluxe Streaming Editions" have been completely overhauled: remixed, remastered and re-imagined. We had to revisit the song order due to the limitations of the format, but that proved to be freeing as well, opening up new possibilities and creating a new listening experience from one track to the next.
The story of how we got here is pretty circuitous: Johnny Sangster (Mark Lanegan, Mudhoney, The Posies) oversaw the transfers of the original 24-track tape to digital and Dylan Fant remixed and remastered the recordings in his little studio in the woods. The process unfolded over two or three years. I will never forget the day I went to listen to the remixed tracks: it was like hearing them for the first time all over again on those big, incredible studio monitors at TRS. The richness of the original analog sound, the performances, the whole thing just moved and sparkled in a way it never had before and I’m so pleased with the way it turned out. I hope you like it too. The performances contributed by Pete Grant (Blasters, Hoyt Axton, Grateful Dead) and David Nelson (NRPS, Garcia Acoustic Band) lend a vibe that harkens back to some of the coolest Grateful Dead/NRPS/Gram Parsons/Flying Burrito Brothers music of the 1970s. TRS, a now-defunct studio in Sunnyvale, CA which was hand-built and tuned by an incredibly gifted studio designer in the early 1970s, is also a star in this story: responsible for that "San Francisco Sound"- that warm, lush sound that permeates the tracks. Producer/engineer Scott Smith played that studio like an instrument, coaxing texture and tone out of it with every take. And he's a hell of a drummer, too.
Now, remixed, remastered and re-released, “Manic + Organic 2025” is available for you to purchase: buy the vinyl, get the digital version for free. Or just buy the digital format - it's your call. Download lossless, high fidelity .wav files, stream anywhere and more than anything, enjoy this little piece of Bay Area musical history. I hope to be somewhere close to you soon so I can play them for you live. Take care & be good to one another. - Eric
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I Don't Know - 2025 3:020:00/3:02
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0:00/2:29
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Buttonwillow - 2025 3:110:00/3:11
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0:00/4:37
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Fragile - 2025 4:010:00/4:01
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0:00/4:01
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0:00/4:03
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0:00/3:44
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Turning On - 2025 3:270:00/3:27
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Three Souls - 2025 5:000:00/5:00
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0:00/2:27
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Headed for Trouble 3:230:00/3:23
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Bound for Nowhere 4:180:00/4:18
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Never Too Late 2:560:00/2:56
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0:00/2:56
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0:00/3:03
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Precious Time 6:510:00/6:51
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Short Sweet Ride 3:280:00/3:28
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0:00/3:50
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0:00/3:34
Music
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Bound For Nowhere 3:160:00/3:16
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0:00/3:24
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0:00/3:13
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Whitespace 2:510:00/2:51
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Fade From You 3:120:00/3:12
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Inside Information 3:420:00/3:42
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Devotion Be The Ash 3:440:00/3:44
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0:00/3:08
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One Essential Thing 4:180:00/4:18
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Gone, Gone Gone 3:330:00/3:33
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Gotta Lotta Lovin' 3:350:00/3:35
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Road Yer Travelin' 2:320:00/2:32
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0:00/3:56
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0:00/3:34
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Crazy 4 You 3:220:00/3:22
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One More Time 3:390:00/3:39
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The Beginning 5:340:00/5:34
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Slave to Love 4:090:00/4:09
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Something's Up 3:400:00/3:40
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Pack of Lies 6:440:00/6:44
2026 tiny desk concert submission - "We sing sad songs"
Press Kit
Eric Nelson Thompson - Manic + Organic 25
Hailed upon its release as “a promising debut that harkens back to Gram Parsons and the Cosmic California Country sounds of the Flying Burrito Brothers”, Eric Nelson Thompson's “Manic + Organic” is available for the first time ever on vinyl. Originally released in 2001 and featuring David Nelson (New Riders of the Purple Sage, Garcia Acoustic Band) and Pete Grant (The Blasters, Hoyt Axton, Grateful Dead), this historic piece of Bay Area Americana is available for streaming wherever you get your music.
ABOUT ERIC
Eric Thompson is, first and foremost, a writer. Over the course of the last twenty five years he estimates he’s written in the neighborhood of 200-300 songs, including “It’s a Guy Thing”, “Slave to Love” and “Gotta Lotta Lovin’” – many of which have become staples on terrestrial and internet radio shows around the world.
A Bay Area native, Eric released his seminal project “Manic + Organic”- a collection of original songs that signaled his arrival as a songwriter and harken back to the dusty Bakersfield sound and early 70’s country-infused California rock sound of Gram Parsons and the Flying Burrito Brothers. The album features David Nelson (New Riders of the Purple Sage, Jerry Garcia Acoustic Band) on guitar, who was accompanied in the studio by Pete Grant (Grateful Dead, Hoyt Axton, The Blasters) on pedal steel and dobro, where the two brought their legendary Bay Area musical roots to bear on a project that reflected the spirit of the 60s, bluegrass and country rock all at once.
Eric has written and recorded five full length albums including “Locally World Famous”, “Unfinished Business” and the recently released “Never Too Late”. After a hiatus from touring and performing, Eric began playing again after the pandemic and is working on his first set of local and regional shows in over 20 years.
ASSORTED PRESS:
MANIC + ORGANIC is an impressive debut. It is obvious that Thompson has been waiting all his life to do this project, and it is just as obvious that he was ready. I'm sure we'll be hearing more from him in the future. Echoes of New Riders of the Purple Sage and Nashville Skyline-era Dylan without sounding precisely like either. And speaking of Dylan, "The Ballad of Pierre and Mademoiselle Revisited" manages to capture the mysterious atmosphere of some of his better work without sounding like a slavish imitation. Similarly, "It's a Guy Thing" could be a song that Lyle Lovett never recorded, but should. -Music Reviewer.com, April 2003 (edited)
Subtle and sleepy, gentle and resonant, Eric Thompson's shimmering take on country-rock takes Nashville's emotive vocal style, throws in a pedal steel and rootsy rock riffs, and turns out the dusty, feel-good Manic + Organic. Whether on the shuffling rock anthem "Get Back to It" or the humorous, old-school country of "It's a Guy Thing," Thompson's band uses simple arrangements to evoke a true down-home feeling. The songwriting--patterned by Gram Parsons, the Allman Brothers, Johnny Cash, and Willie Nelson--shows his potential to one day make a really spectacular record. ~ Charles Spano, All Music Guide (edited)
Thompson provides a solid album that die-hard country fans should put some time into. This isn't your average million-dollar CMTV project, and believe you me, that's enough of a good thing for me. -- Kevin White, Splendid eZine (edited)
Gram Parsons called it Cosmic American Music, a term that reflected the paisley aesthetic of the late 60s. But this curious little sub-genre has managed to morph itself into various incarnations since then, from the 70s peaceful, easy California Country, to too-slick 1980s country pop, to the alt-country boom of the 90s, which was a couple of hit records from—as a friend of mine recently put it in reference to Wilco’s debut, A.M.—saving pop music. Eric Thompson is a California-bred roots artists who on Locally World Famous’s best songs corrals the best of his home state’s sound to evoke The Mavericks or Los Lobos. “Gone, Gone, Gone” could probably be the album’s hit single. It’s a buoyant song with a great rhythm, and its elliptical lyrics careen through images of loneliness, self-reflection, and even politics. The best of what Thompson does comes together in this song, with its country instrumentation, energetic pace, and blithe sensibility. Locally World Famous is a solid, if occasionally uneven, entry into its thankfully long-lived genre, of which Eric Thompson is a skilled purveyor. -Delusions of Adequacy (edited) 3/29/04
Locally World Famous kicks off with "Gone, Gone, Gone" where Thompson's voice embodies the evocative twang of the late great Hank Williams. Some of the most enjoyable moments on this album revolve around Thompson's fluid, seemingly endlessly malleable vocals and how they adjust perfectly to fit each song's mood. A million miles away from the cookie cutter approach of today's formulaic pop bands, Eric Thompson's Locally World Famous is a joyous reminder that it's still possible to find music that doesn't sound like it came from a can. -Ink19, October 2003 (edited)
Live From Easy Street Records - July 31, 2025
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